Sono dei bambini, hanno appena compiuto dieci anni. Lo studio spagnolo Yonoh, fondato a Valencia il 26 settembre 2006 da Álex Selma (Faura, 1980) e Clara del Portillo (Valencia, 1980), ha l’età dell’infanzia e, al tempo stesso, un’esperienza che nel settore del design lo rende ormai adulto. I due si sono incontrati per la prima volta, nel 2004, alla rassegna Nude, una sorta di Salone Satellite della Valencia Furniture Fair, e il loro logo è un ambigramma che racconta la dualità e l’unione degli opposti.
Nel cercare il loro stile o identità hanno dapprima volto lo sguardo al passato, ammirando i lavori di Charles & Ray Eames o di Dieter Rams; nel presente guardano con attenzione il percorso dei Bouroullec, di Patricia Urquiola e Naoto Fukasawa, ma, soprattutto, seguono le evoluzioni di altri giovani e talentuosi designer, spesso di nicchia o poco conosciuti. L’altro punto forte della loro ricerca è la sperimentazione sui materiali e sulle tecniche di produzione.
Definire il loro segno non è semplice, ma volendoci provare e osservando i circa 50 prodotti che sul loro sito costellano il cammino del decennio lo si potrebbe definire minimal allegro. Il minimo è racchiuso nella pulizia del segno, nelle forme di geometria classica, aggiornate nei colori, nelle funzioni e spesso smussate nelle spigolosità, come ad esempio nei moduli della collezione di arredi Dan e nella serie di arredi-bagno, in marmo, Vintage.
L’allegria sono i piccoli gesti, una certa morbidezza dell’insieme, una presenza quasi giocosa, che si ritrovano nella pur tecnologica seduta Spoon, nei divani delle linee Cloud e Gummy, nelle lampade Sun e Chou e nella seggiolina Polo, che, con la sua aria infantile, ci ricorda che siamo tutti bambini.
Testo di Virginio Briatore
Clara del Portillo e Álex Selma, fondatori dello studio Yonoh di Valencia.
Dan, linea di espositori e contenitori modulari, produzione Mobenia, 2014.
Sun, lampada ispirata alle luci dell’alba, formata da un disco metallico, un piatto cavo di policarbornato e una sfera in vetro soffiato che ospita la sorgente a LED, per Marset, 2016.
Dimario, immagine coordinata per un negozio di calzature italiane a Perth, Australia.
Vintage, linea di arredo bagno con lavabi e piani in marmo prodotta per il marchio L’Antic Colonial, di Porcelanosa Group, 2016.
Sono dei bambini, hanno appena compiuto dieci anni. Lo studio spagnolo Yonoh, fondato a Valencia il 26 settembre 2006 da Álex Selma (Faura, 1980) e Clara del Portillo (Valencia, 1980), ha l’età dell’infanzia e, al tempo stesso, un’esperienza che nel settore del design lo rende ormai adulto. I due si sono incontrati per la prima volta, nel 2004, alla rassegna Nude, una sorta di Salone Satellite della Valencia Furniture Fair, e il loro logo è un ambigramma che racconta la dualità e l’unione degli opposti.
Nel cercare il loro stile o identità hanno dapprima volto lo sguardo al passato, ammirando i lavori di Charles & Ray Eames o di Dieter Rams; nel presente guardano con attenzione il percorso dei Bouroullec, di Patricia Urquiola e Naoto Fukasawa, ma, soprattutto, seguono le evoluzioni di altri giovani e talentuosi designer, spesso di nicchia o poco conosciuti. L’altro punto forte della loro ricerca è la sperimentazione sui materiali e sulle tecniche di produzione.
Definire il loro segno non è semplice, ma volendoci provare e osservando i circa 50 prodotti che sul loro sito costellano il cammino del decennio lo si potrebbe definire minimal allegro. Il minimo è racchiuso nella pulizia del segno, nelle forme di geometria classica, aggiornate nei colori, nelle funzioni e spesso smussate nelle spigolosità, come ad esempio nei moduli della collezione di arredi Dan e nella serie di arredi-bagno, in marmo, Vintage.
L’allegria sono i piccoli gesti, una certa morbidezza dell’insieme, una presenza quasi giocosa, che si ritrovano nella pur tecnologica seduta Spoon, nei divani delle linee Cloud e Gummy, nelle lampade Sun e Chou e nella seggiolina Polo, che, con la sua aria infantile, ci ricorda che siamo tutti bambini.
Testo di Virginio Briatore
Clara del Portillo e Álex Selma, fondatori dello studio Yonoh di Valencia.
Dan, linea di espositori e contenitori modulari, produzione Mobenia, 2014.
Sun, lampada ispirata alle luci dell’alba, formata da un disco metallico, un piatto cavo di policarbornato e una sfera in vetro soffiato che ospita la sorgente a LED, per Marset, 2016.
Dimario, immagine coordinata per un negozio di calzature italiane a Perth, Australia.
Vintage, linea di arredo bagno con lavabi e piani in marmo prodotta per il marchio L’Antic Colonial, di Porcelanosa Group, 2016.
Sono dei bambini, hanno appena compiuto dieci anni. Lo studio spagnolo Yonoh, fondato a Valencia il 26 settembre 2006 da Álex Selma (Faura, 1980) e Clara del Portillo (Valencia, 1980), ha l’età dell’infanzia e, al tempo stesso, un’esperienza che nel settore del design lo rende ormai adulto. I due si sono incontrati per la prima volta, nel 2004, alla rassegna Nude, una sorta di Salone Satellite della Valencia Furniture Fair, e il loro logo è un ambigramma che racconta la dualità e l’unione degli opposti.
Nel cercare il loro stile o identità hanno dapprima volto lo sguardo al passato, ammirando i lavori di Charles & Ray Eames o di Dieter Rams; nel presente guardano con attenzione il percorso dei Bouroullec, di Patricia Urquiola e Naoto Fukasawa, ma, soprattutto, seguono le evoluzioni di altri giovani e talentuosi designer, spesso di nicchia o poco conosciuti. L’altro punto forte della loro ricerca è la sperimentazione sui materiali e sulle tecniche di produzione.
Definire il loro segno non è semplice, ma volendoci provare e osservando i circa 50 prodotti che sul loro sito costellano il cammino del decennio lo si potrebbe definire minimal allegro. Il minimo è racchiuso nella pulizia del segno, nelle forme di geometria classica, aggiornate nei colori, nelle funzioni e spesso smussate nelle spigolosità, come ad esempio nei moduli della collezione di arredi Dan e nella serie di arredi-bagno, in marmo, Vintage.
L’allegria sono i piccoli gesti, una certa morbidezza dell’insieme, una presenza quasi giocosa, che si ritrovano nella pur tecnologica seduta Spoon, nei divani delle linee Cloud e Gummy, nelle lampade Sun e Chou e nella seggiolina Polo, che, con la sua aria infantile, ci ricorda che siamo tutti bambini.
Testo di Virginio Briatore
[gallery ids="121309,121311,121313,121315,121317,1213219,121321,121323,121325,121327,121329,121331,121333,121335,121337,121339"]
Spoon, sedia personalizzabile e smontabile, con scocca in legno curvato, prodotta dall’azienda anglo-cinese Inyard, 2016.
Spoon, sedia personalizzabile e smontabile, con scocca in legno curvato, prodotta dall’azienda anglo-cinese Inyard, 2016.
Abet, linea di mobili rifinita in legno di quercia a partiture geometriche, prodotta da Lola, 2016.
Chou, lanterne con base metallica e diffusore in polywood, produzione Lzf-Lamps, 2013.
Chou, lanterne con base metallica e diffusore in polywood, produzione Lzf-Lamps, 2013.
Mosaico, sistema di arredo che da tre geometrie di base si declina in più tipologie e combinazioni, prodotto da Sancal, 2015.
Mosaico, sistema di arredo che da tre geometrie di base si declina in più tipologie e combinazioni, prodotto da Sancal, 2015.
Cloud, collezione di imbottiti dalle forme morbide, che sembrano levitare sulla struttura minima; prodotto da Bolia, Danimarca, 2016.
Polo, sedute realizzate a partire da liste di legno piatte con incastri a vista, produzione Capdell, 2014.
Polo, sedute realizzate a partire da liste di legno piatte con incastri a vista, produzione Capdell, 2014.
Spoon, sedia personalizzabile e smontabile, con scocca in legno curvato, prodotta dall’azienda anglo-cinese Inyard, 2016.
Spoon, sedia personalizzabile e smontabile, con scocca in legno curvato, prodotta dall’azienda anglo-cinese Inyard, 2016.
Abet, linea di mobili rifinita in legno di quercia a partiture geometriche, prodotta da Lola, 2016.
Chou, lanterne con base metallica e diffusore in polywood, produzione Lzf-Lamps, 2013.
Chou, lanterne con base metallica e diffusore in polywood, produzione Lzf-Lamps, 2013.
Mosaico, sistema di arredo che da tre geometrie di base si declina in più tipologie e combinazioni, prodotto da Sancal, 2015.
Mosaico, sistema di arredo che da tre geometrie di base si declina in più tipologie e combinazioni, prodotto da Sancal, 2015.
Cloud, collezione di imbottiti dalle forme morbide, che sembrano levitare sulla struttura minima; prodotto da Bolia, Danimarca, 2016.
Polo, sedute realizzate a partire da liste di legno piatte con incastri a vista, produzione Capdell, 2014.
Polo, sedute realizzate a partire da liste di legno piatte con incastri a vista, produzione Capdell, 2014.
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